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Blink182 Lil Wayne Whats My Age Again

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1999 single by Glimmer-182

"What's My Age Again?"
WhatsMyAgeAgain.jpg
Single by Glimmer-182
from the anthology Enema of the State
Released April 13, 1999
Recorded January–March 1999
Genre Pop punk
Length 2:26
Label MCA
Songwriter(s)
  • Mark Hoppus
  • Tom DeLonge
Producer(due south) Jerry Finn
Blink-182 singles chronology
"Josie"
(1998) 		"What's My Age Once again?"
(1999) 		"All the Minor Things"
(2000)

"What's My Age Again?" is a vocal by American rock band Glimmer-182. Information technology was released in Apr 1999 as the pb unmarried from the group's third studio album, Enema of the State (1999), released through MCA Records. "What's My Historic period Again?" shares writing credits between the ring's guitarist Tom DeLonge and bassist Mark Hoppus, simply Hoppus was the primary composer of the song. It was the band's first single to feature drummer Travis Barker. A mid-tempo pop punk vocal, "What'southward My Age Again?" is memorable for its distinctive, arpeggiated guitar intro.

The vocal lyrically revolves around the onset of age and maturity, and the failure to implement changes in one's behavior. Hoppus declined to label the song as autobiographical, only admitted that he spent his twenties acting immature. The trio recorded the vocal with producer Jerry Finn. Information technology was originally titled "Peter Pan Complex", an allusion to the pop-psychology concept, simply the record label institute the reference obscure and adjusted the title. The song'south signature music video famously features the band running nude on the streets of Los Angeles. It received heavy rotation on MTV and other music video channels.

It became ane of the band's best-performing singles, peaking at number ii on Billboard 's Modern Rock Tracks chart in the U.S. for ten weeks. The vocal placed at number three in Italia and number 17 in the United Kingdom. Primarily an airplay hit, the song was the ring's first to cantankerous over to popular radio, hitting number 58 on the Billboard Hot 100. The song received positive reviews and has been called a classic pop punk track; NME placed it at number 117 on its listing "150 Best Tracks of the Past 15 Years" in 2012.[1]

Background and writing [edit]

Bassist and vocaliser Marker Hoppus initially composed the song as a joke.

Blink-182, consisting of bassist Mark Hoppus, guitarist Tom DeLonge, and drummer Scott Raynor, formed in the early 1990s, and by the end of the decade, had reached commercial success with their second album, 1997's Dude Ranch. Its atomic number 82 single, "Dammit (Growing Upward)", became ane of the most-played U.Southward. modernistic stone hits of 1998,[2] sending its parent album to a golden certification and bringing the members newfound notoriety and wealth. With his first accelerate from major-label MCA, Hoppus purchased a domicile in the band's hometown of San Diego, California. Hoppus developed "What's My Historic period Again?" while sitting on the floor and playing guitar in his kitchen/living room.[three] He was attempting to play the song "J.A.R." by Light-green Twenty-four hours, which has a distinctive intro on bass guitar. While practicing playing the riff, Hoppus came up with a new song derived from his failure to perform the part correctly.[4]

Though he initially adult it as a vulgar joke song,[5] he felt it had potential as a regular tune. Hoppus claims it took him 5 minutes to write. He afterward presented the song to the band while rehearsing at DML Studios in Escondido, California, where they had booked fourth dimension for two weeks to write new songs.[6] Before that yr, Raynor had been expelled from the group and replaced with percussionist Travis Barker, previously of the ska-punk act the Aquabats. He and DeLonge plant the composition agreeable and further developed it in the rehearsal infinite. The story in the vocal is not strictly autobiographical, simply its fundamental theme resonated with Hoppus, who spent his twenties by his ain admission "interim like a jackass teenager".[7] Barker agreed, later commenting: "[Mark] was a grown man just kept interim like a child."[6] Many Blink songs centre on maturity—"more specifically, their lack of it, their attitude toward their lack of it, or their eventual wide-eyed exploration of it" according to writer Nitsuh Abebe.[8]

Limerick [edit]

"What's My Age Again?" is credited to Tom DeLonge and Mark Hoppus.[9] Though Barker helped write the songs on Enema of the State, merely Hoppus and DeLonge received songwriting credits, every bit Barker was technically a hired musician, not official ring member.[10] The song is two minutes and twenty-8 seconds long. The song is equanimous in the key of F-sharp major and is set in time signature of common time with a driving tempo of 158 beats per infinitesimal. Hoppus' vocal range spans from C3 to F4.[11] It follows a I–5–vi–IV chord progression, common across several genres of music. The band utilize the progression in numerous other singles; music educator and author Dan Bennett claims the progression is sometimes called the "pop-punk progression" because of its frequent employ in the genre.[12] The song is incredibly brief compared to most singles; inside 1 minute, nearly 2 full verses and a chorus accept been completed, and information technology in full runs two minutes and 20-6 seconds.[3]

The song opens with a catchy, arpeggiated guitar part, post-obit the vocal'due south chords in playing the root of each chord. The role has been considered catchy to perform; given its quick, articulated nature, information technology can be hard to skip over the strings properly.[3] Hoppus's bass line, which has been compared to the Pixies' vocal "Debaser",[13] situates on the root notes of each chord.[12] The song's showtime poetry item an intimate human relationship gone awry. Hoppus sings of wearing cologne in hopes to impress a girl on a weekend date. Upon returning dwelling house, foreplay ensues, during which the protagonist begins watching television receiver.[xiv] This prompts his insulted partner to leave, leading into the song's chorus, in which Hoppus sings that "nobody likes you lot when you're 23." Hoppus was 25 when he wrote the song, and only included the lyric to rhyme. The song utilizes power chords in its chorus, and substitutes the arpeggiated intro for palm-muted power chords in the succeeding verse.[iii]

Each chorus is lyrically singled-out, which was one of Hoppus's original goals; he felt this arroyo kept the song interesting and advanced the story in a creative way. Hoppus had once read that "the all-time fine art is the evolution of familiarity": an artist introduces an idea, a listener connects with it, and the artist slightly alters the original idea to retain a familiar feeling.[3]

Recording and production [edit]

"What'south My Historic period Again?" was the trio'due south offset single with drummer Travis Barker.

After farther evolution, the group presented it to producer Jerry Finn. A veteran engineer, Finn came to fame mixing Greenish Twenty-four hour period's breakthrough album Dookie (1994). Finn was suggested by the label as an choice for producing Enema of the State; the band got along with him immediately, and connected to work with him on their future projects. Finn would suggest and make adjustments where necessary, though in the instance of "What's My Historic period Once again?", he had petty notes. By the time Hoppus presented the vocal to his bandmates, the first poetry and chorus were written, with its second poesy and bridge department needing farther piece of work. Hoppus and DeLonge crafted an instrumental bridge that went on for viii measures, which all agreed felt too long.[iii] Finn assisted in shortening the section, and the grouping recorded a demo at DML Studios.

Within the new year, the group recorded the song proper. The drums on Enema of the State were tracked at Mad Hatter Studios in North Hollywood, a space in one case owned by jazz musician Chick Corea. Hoppus remembered that Finn was meticulous in recording the kit, spending hours on microphone placement, as well as picking compressors and at which rate they would run.[iii] Barker recorded his pulsate portions, every bit well as the remainder of the anthology's twelve songs, in 8 hours.[15] From there, Hoppus and DeLonge recorded their bass and guitar tracks at multiple studios throughout Los Angeles and San Diego.[9] The band brought in session musician Roger Joseph Manning Jr.—best known for his career in the band Jellyfish and work with Beck—to add together keyboard parts in the background of the vocal.[16]

The vocal originally concluded after its concluding chorus. While recording, Hoppus liked how the arpeggiated chord progression continued over the rhythm guitar line in the last chorus, and wished to extend its length to highlight this element. In the pre-digital recording environment, this required the squad to "bounce" the mix from the analog tape recorder (a 24 rails 2-inch tape) to another tape, and splice the recordings together. With recording consummate, the song was sent to engineer Tom Lord-Alge, who mixed the song at his Southward Beach Studios facility in Miami Beach, Florida.[17] Lord-Alge had had previously remixed the Dude Ranch singles "Dammit" and "Josie" for radio, and would piece of work with the group frequently in the future. Lord-Alge added subtle touches, including a panning effect for the championship phrase in the last chorus.[3]

Release and chart performance [edit]

The song's championship originally referenced fictional children's character Peter Pan.

The working title for the song was "Peter Pan Complex",[18] referencing the popular psychology concept of an adult who is socially immature. Executives at MCA Records were uncertain that listeners would connect with the title, given it goes unmentioned in the song'south lyrics. Previously, the label had appended parentheses to its two stateside singles from Dude Ranch: "Dammit (Growing Up)" and "Josie (Everything's Gonna Be Fine)". The characterization was likewise concerned about litigation from the Walt Disney Visitor, who held rights to the proper name following their film adaption.[3] The band disliked the suggestion,[19] simply given the creative liberty MCA had afforded them throughout recording, agreed to the change. Hoppus later conceded the new title made more than sense and "feels right".[3] Ring management and characterization executives saw a stiff single in "What's My Age Again?" although DeLonge felt otherwise: "I didn't understand information technology, considering up to that betoken, we hadn't had a large single."[19]

Commercially, "What'due south My Age Over again?" became one of the band's best-performing singles. It was picked as the lead single from Enema of the Land. It was showtime serviced to radio in April 1999, and premiered on KROQ-FM, an influential Los Angeles alternative station. Hoppus remembered the group were finalizing mixing the album when the vocal debuted.[twenty] The vocal did best on Billboard 'due south Modernistic Rock Tracks chart; the song offset entered the chart during the week of May eight, where it debuted at number 21.[21] Information technology first hitting the top five during the calendar week of June v,[22] and hit number two on July 24,[23] where it remained for ten weeks backside the Cherry Hot Chili Peppers' "Scar Tissue".[24] The vocal crossed over to mainstream radio in mid-1999, where it debuted at number 71 on the Billboard Hot 100 on July 17.[25] It later peaked at number 58 in the outcome dated October 23.[26] The vocal had previously peaked at number 51 on the Hot 100 Airplay chart on September eleven.[27] In the Great britain, the song was released twice, commencement on September 20, 1999, and once more on June 26, 2000, following the success of "All the Pocket-size Things.[28] [29] The 2000 re-release peaked at number 17 on the UK Singles Nautical chart.[xxx]

Critical reception [edit]

The truth is that it was always a petty strange for grown men to exist writing songs almost prom dark and other high-school pitfalls, but "What's My Age Again?" works so well because it tackles that strangeness head-on. Aside from featuring Blink'due south near recognizable riff this side of "Dammit", the vocal is an honest, relatable assessment of what it feels like to be dragged kick and screaming into adulthood. It'southward rock and roll as escape, yes, but also every bit a kind of backpedaling. Let the rock bands of the '70s champion sex activity and drugs; these guys merely want to remember what information technology feels like to be kids again.

—Collin Brennan, Consequence of Sound [31]

Carrie Bell at Billboard accounted the vocal a "peppy punk anthem"[vii] while Spin columnist Jeffery Rotter chosen it an "platonic tonic for dorsum-to-school nausea."[32] A Kerrang! author called the song "ridiculously infectious,"[33] while the New Musical Express (NME) derided the song equally "more mindless, punk-popular guitar thrashing from the world'south current favorite American brats ... on the plus side, the song — much similar Glimmer-182's career, we promise — only lasts for ii-and-a-half minutes."[30] Stephen Thompson, writing for The A.V. Gild, complimented its catchy sensibility, remarking, "yous'll never go broke creating an canticle for young mail-adolescents, fifty-fifty working within a well-worn genre."[34]

Later reviews take later been positive. Jon Blisten of Beats Per Minute deemed information technology one of the tape'southward "finest songs," calling it a "twisted, cocky-depreciating examination of human-children."[35] In 2014, Chris Payne of Billboard chosen it "the quintessential Blink manifesto — the story of a twenty-something who still acts like a kid."[36] The website Consequence of Sound, in a 2015 top ten of the ring'southward best songs, ranked it equally number six, with writer Collin Brennan observing that its championship is "the question underpinning the entire Glimmer ethos".[31]

Music video [edit]

Filming [edit]

The opening shot depicts the band running nude down 3rd Street in Los Angeles.[37]

The music video for "What's My Age Once more?", directed by Marcos Siega, features the band running in the nude through the streets of Los Angeles, as well equally through commercials and daily news programs.[38] It was filmed shortly after completing the album, and was co-directed by Brandon PeQueen. Siega and PeQueen adult the idea from the band'south onstage antics; Barker would often strip downwardly to his boxers due to rut, while Hoppus would sometimes disrobe entirely, with only his bass guitar covering his genitals.[39] Siega had known the band for many years at that bespeak, having seen them play small-scale clubs years before.[xl] He partially credited the thought to a tardily-dark talk testify segment about a streaker. Hoppus and DeLonge were immediately receptive to the idea; Barker less and so. "My brain kept going to the sort of anti-establishment punk rock ethic that I associated them with. But not in an aggro way. They always came across to me as doing it with a flash," Siega later recalled.[xvi]

The grouping wore mankind-colored Speedos for near scenes.[41] The clip features a cameo appearance by porn star Janine Lindemulder, the model featured on the embrace of Enema of the Land.[42] Barker remembered that motorists "kept staring at us and honking their horns," and that the entire filming took nearly 15 hours. "They nigh got into accidents," Hoppus told Rolling Stone.[43]

Popularity [edit]

The video kickoff began receiving airplay in early May 1999, debuting on U.S. television channels MTV, MTV2 and The Box.[44] The video was MTV's second-most played video for the calendar week ending August 1,[45] and remained a popular video on the channel for over two years.[46] The video was nominated for Best Alternative Video at the 2000 MVPA Awards,[47] but lost to Foo Fighters' "Learn to Fly".[48] The band referenced the clip at the 1999 Billboard Awards, which opened with a clip of the band streaking through Las Vegas,[49] also as through appearances on Total Request Live and the scripted sitcom Two Guys, a Girl and a Pizza Place.[50] Entertainment Weekly writer Chris Willman chosen the video "ubiquitous".[14]

Marcos Siega, the video'south director, in 2014.

The video gave the ring a reputation for nudity,[38] leading many critics to pigeonhole them equally a joke human action.[14] "It became something of an boundness as ring members grew up," wrote Richard Harrington of The Washington Post.[50] "You know, when we were filming the video for "What's My Age Again?" the whole naked thing was only funny for like x minutes. And so, I was the guy continuing naked on the side of the street Los Angeles with cars driving by me giving me the finger and shit. It's funny watching the video now, but at the time, it stopped existence funny ten minutes in, and it definitely wasn't funny three days into it," recalled Tom DeLonge.[38]

This reputation would pb the band members to take control of their marketing and image, as DeLonge afterwards commented in 2014:

We were so naïve that we would run around naked, but they'd get in all glossy and put information technology on posters and make it look like we really were some kind of erotic male child band or some shit. We were coming from the punk scene, but the label fashioned a whole thing effectually us that we didn't even understand; we were just kinda caught upwardly in it. Then information technology took us a little chip to dig out of that and come back to who we really were. And it's difficult to do that once people spend millions of dollars making y'all into something visually that we weren't.[51]

Legacy [edit]

"What's My Age Once more?" has endured as amid the ring's almost popular songs, and has widely been considered a watershed moment for popular punk as a genre. Several of the group's contemporaries ranked the song amongst the most genre's nearly influential, including Jack Barakat of All Fourth dimension Depression, Pierre Bouvier and Chuck Comeau from Simple Program, and Tyson Ritter of the All-American Rejects.[52] Rolling Stone 's Nicole Frehsée wrote that, "For a new generation of emo fans and bands, Blink's irreverent, upbeat take on punk stone with hits similar "What'southward My Age Again?" and "All the Modest Things" was hugely influential."[53] Xx years after the song's release, Hoppus noted that fans oftentimes decorate birthday cakes on their 23rd birthday with the lyric "Nobody likes you lot when you're 23", which he felt was an honor.[3] The ring later paid homage to the song's infamous video in the music video for their 2016 single "She's Out of Her Mind". The clip sees modern-day social media personalities running in the nude in Los Angeles. Lindemulder'south identify in the video was taken by role player and comedian Adam DeVine.[54]

The Hollywood Reporter 's Mischa Pearlman, in a review a 2013 concert past the group, wrote that the vocal "visibly infects every member of the audience. Because it'south a song that recalls the reckless abandon of youth, and the carelessness of growing up."[55] Although the magazine gave the song a scathing review upon its initial release,[xxx] NME placed information technology at number 117 on its list "150 All-time Tracks of the Past 15 Years" almost 13 years later, writing, "Few songs capture the urge of wanting to act stupid and be immature as well as this 2000 single does. [...] This is everything pop punk does well. Its guitar riffs seem to accept been soaked in Relentless and its chorus makes you want to leap around the room. It's been imitated thousands of times since, merely nothing's come shut to this..."[56]

By the belatedly 2000s, club promoters in the U.One thousand. created nights based around lasting appreciation of the popular punk genre, including i named after "What's My Age Again?", described every bit a dark celebrating "pop-punk, youthful carelessness and teenage riot".[57] British radio station BBC Radio ane have a department on i of their shows named after the unmarried and using it as the theme song. Greg James originated the game on his drivetime evidence, and has moved it to The BBC Radio 1 Breakfast Show. The game sees Greg pitted against an opponent, typically a fellow Radio 1 DJ/presenter or celebrity guest. In the game, three listeners phone in and talk to the competitors, who take information technology in turns to ask questions, then effort to estimate the listeners' age.

On March 26, 2019, the song was lauded by Princeton professor of music Steven Mackey during an interview between Hoppus and Mackey given at Princeton University.[58] Mackey praised the lyrics past saying, "it'south very much this portrait of this kind of 23 yr old... Peter Pan complex", noting his enjoyment of the structure of the song, as well as its tone. Mackey stated, "after the 2nd chorus at that place's this instrumental pause. And at that place'due south a lot of instrumental breaks in blink, which I actually like. This one in item, information technology goes to a minor primal. All of a sudden, it's kind of melancholy. And when they come out of that instrumental intermission, and I hear the rest of the words, information technology's sort of similar... I feel similar, wow, was that a moment of reflection? And then information technology'south like, 'Ah, fuck it. Whatever.' It has that feeling. It sort of deepens it for me."[59]

Mashup [edit]

"What's My Age Once again? / A Milli"
Unmarried by Blink-182 and Lil Wayne
Released August 23, 2019 (2019-08-23)
Genre
  • Pop punk
  • rap stone
Length 2:25
Characterization Columbia
Songwriter(due south)
  • Mark Hoppus
  • Travis Barker
  • Tom DeLonge
  • Dwayne Carter
  • Ali Shaheed Muhammad
  • Kamaal Ibn John Fareed
  • Shondrae Crawford
Blink-182 singles chronology
"Darkside"
(2019) 		"What's My Age Again? / A Milli"
(2019) 		"I Really Wish I Hated You"
(2019)
Lil Wayne singles chronology
"Exist Like Me"
(2019) 		"What's My Age Again? / A Milli"
(2019)

In May 2019, the band recorded a alive mashup of the song with hip hop artist Lil Wayne, to promote their joint headlining bout.[60] The rails combines "What'due south My Age Once more? and Wayne's 2008 single "A Milli". The duo later released a joint digital single featuring a studio version of the mashup in August of that year.[61] The track features Matt Skiba, who replaced founding guitarist Tom DeLonge in 2015, performing backing vocals and guitar. A press release promoted the new version, which was released to promote the 2nd leg of the aforementioned tour, as a "new accept on the runway."[62]

The Fader contributor Hashemite kingdom of jordan Darville noted that Wayne altered a lyric from his original poesy, substituting the term "crackers" for "bitches".[63]

Credits and personnel [edit]

Original version [edit]

Credits adapted from the liner notes of Enema of the Land.[nine]
Locations

  • Recorded at Signature Audio, Studio W, San Diego California; Mad Hatter Studios, The Bomb Factory, Los Angeles, California; Conway Recording Studios, Hollywood, California; Big Fish Studios, Encinitas, California
  • Mixed at Conway Recording Studios, Hollywood, California; South Beach Studios, Miami, Florida

Personnel

Mashup version [edit]

Credits adjusted from the YouTube video for "What'due south My Age Over again?" / "A Milli". Barker is credited with songwriting on this edition, as opposed to his original credits for Enema of the State.[64]
Personnel

Blink-182
  • Mark Hoppus – bass guitar, vocals, songwriting
  • Matt Skiba – guitars, vocals
  • Travis Barker – drums, percussion, songwriting

Additional musicians

  • Shondrae Crawford – songwriting
  • Tom DeLonge – songwriting
  • Kamaal Ibn John Fareed – songwriting
  • Ali Shaheed Muhammad – songwriting
  • Lil Wayne – vocals, songwriting

Production

  • Matt Malpass – engineer
  • Rich Costey – mixing engineer
  • Chris Athens – mastering engineer

Charts and certifications [edit]

References [edit]

Footnotes [edit]

  1. ^ "150 Best Tracks Of The Past 15 Years". Nme.Com. Retrieved January 12, 2012.
  2. ^ "The Year in Music 1998: Hot Modern Stone Tracks" (PDF). Billboard. December 26, 1998. p. YE-84.
  3. ^ a b c d east f one thousand h i j thou DeMakes, Chris (October 19, 2020). Chris DeMakes a Podcast. Ep. 21: Marker Hoppus discusses blink-182'south "What's My Age Again?". Spotify.
  4. ^ Aniftos, Rania (October x, 2020). "Blink-182'south Mark Hoppus Reveals the Greenish Day Song That Inspired 'What's My Age Once more?'". Billboard . Retrieved November 2, 2020.
  5. ^ "Glimmer-182: Within Enema". Kerrang! (1586): 24–25. September 16, 2015.
  6. ^ a b Barker & Edwards 2015, p. 122.
  7. ^ a b Bell, Carrie (August 14, 1999). "The Modern Age". Billboard. Vol. 111, no. 33. p. 99. Retrieved June ane, 2014.
  8. ^ Nitsuh Abebe (September 25, 2011). "Sentimental Education". New York. Archived from the original on September half-dozen, 2012. Retrieved September 5, 2012.
  9. ^ a b c Enema of the State (liner notes). Blink-182. United States: MCA. 1999. 11950. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. ^ Barker & Edwards 2015, p. 119.
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  12. ^ a b Bennett, Dan (2008). The Full Rock Bassist, p. 63. ISBN 978-0739052693
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  15. ^ Barker & Edwards 2015, p. 123.
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Sources [edit]

  • Barker, Travis; Edwards, Gavin (2015). Tin can I Say: Living Large, Cheating Expiry, and Drums, Drums, Drums. William Morrow. ISBN978-0-06-231942-5.
  • Hoppus, Anne (October i, 2001). Blink-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. ISBN0-7434-2207-4.
  • Shooman, Joe (June 24, 2010). Glimmer-182: The Bands, The Breakdown & The Return. Independent Music Press. ISBN978-1-906191-ten-8.

External links [edit]

  • Music video on YouTube

lamhingto.blogspot.com

Source: https://en.wikipedia.org/wiki/What%27s_My_Age_Again%3F

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